Thursday, June 30, 2011

REVIEW of Julep nail polishes: Amy, Miranda, and Gloria

Overall...not a fan. Let me explain...

This was recommended by a beauty blogger and though I tried to resist, I couldn't help but whip out my credit card for such pretty summer shades, especially with $1 donated from each purchase to organizations that support women, a $15 discount, and no shipping and handling.

Here are pictures from the website...

                                                                            Miranda


Gloria



Amy

Come on, how cute are they?

Packaging





These are pictures of the bottles in person...




The colors don't "pop" in the same way and they're a little darker.

So, how did they apply?

I started with Miranda. The first coats applied a little streaky. It takes a considerable amount of polish to apply smooth but the formula is somehow both liquid and thick so it's hard to find a balance. If you put too little polish, the brush drags and it doesn't apply evenly. But then, it's thick so when you go in to correct little mistakes, you've got a very apparent swipe of polish. To me, the final effect is still a little streaky and looks too thick on my nails. Also, the polish was very sticky and tacky in the bottle, so much so that when I pulled out the brush, the wand was dripping with polish and the polish created "threads". The brush definitely made applying the polish more difficult. From a distance, though, it is a very pretty sea-foam green. It is a little darker than the picture on the website. It took about 2-3 coats with basecoat and topcoat. Seche-Vite is so wonderul that it smoothed out a lot of the streaks and gave it a polished look.

Overall: Love the color, pain to apply, so-so results. I would look for this color in another polish.

First Coat

First coat

2-3 coats

Natural light

With top coat

I had my pedicure done with Gloria. The verdict from the nail salon was that the Miranda polish was indeed very thick and sticky and was "too dry". She said Gloria was a little better though I think it seemed like an average polish and the brush still applied the polish in streaks. When I did my mom's nails in Gloria it was admittedly a little better than Miranda but it was still so thick and gloppy. Imagine a little person (Lilliputian, homunculus, take your pick) loading up a catapult with globs of paint and that's basically how I was forced to use it, just slapping it on the nail and fixing the edges with nail polish remover and finishing with top coat. That it ended up looking nice is a testament to my skill and not the quality of this nail polish.

Gloria looks a little pink in the pictures but looks light a light peachy-red in the bottle. On my nails it is somewhere between a bright coral and a shocking orange depending what light I'm in.

Tuesday, June 7, 2011

Imagination...Thoughts on Writing

Sometimes when I sit down to write I'm confronted with a problem. I don't know what to do. I know what I can do but that seems to easy, it seems like something I've heard before, something too simple. So I wait and wait until my brain works out the problem and I find my way to something that sounds like me. It might be a familiar or probable plot but it's written in my own style. But while I'm still feeling uninspired, I sometimes think back to when I was younger. Didn't it seem like you were teeming with ideas that you just didn't know how to articulate as well as you can now?

So what is the problem?

A) Is the problem just that we become less imaginative with age? Is it the same way our brains are less capable of memorizing large amounts of information or learning a new language?

B) Is it a problem of structure? Is it just that we can still imagine things but only within the confines of certain plot points that society has instructed us on? That is, you're still fully capable of being imaginative but everytime you look for an answer the little people in your brain pull out options from a filing cabinet stocked with the tropes you've seen and read about in movies, books, TV, etc. Is it that we've been taught that certain things are realistic and so we reject what we might have once written? That is, we've had a notion of reality imposed upon us so like novel writers of the past we look for the option that seems the most probable. This stops us from writing about dragons, or magical ponies, or even taking realistic but wildly unconventional plot turns or such because those office minions in our brain stamp them with the red ink of the fantastic and unlikely. Is that why we rehash so many of the same plots?

Why is there this problem, if indeed there is one? Why is the height of our structural expertise when our imagination is at a low point? Why is the height of our imagination when we don't have the skill to explain our thoughts articulately?

And yet, when we're young we're not completely free of rehashing the same plots because we're learning. We're starting to pick up familiar plots, learn and develop them into our own plots as we develop our own style and voice.

So...which is the better point to be at? Should we keep journals when we're young to develop when we're older? Should we live in bubbles? How would we then learn the skill of writing without any products of society (books, essays, film, television, plays)? I don't really know how to deal with this so I'm just throwing it out there to the universe.

Thursday, June 2, 2011

New Summer Nail Polish Color - YSL Beauty La Laque in Turquoise Blue REVIEW

YSL Beauty La Laque in "Turquoise Blue"

Yes, it finally arrived and I adore it. It's a more playful color outside in direct sunlight and more of teal inside in dim lighting. I had a professional handle this...I think it took 3 coats though 2 coats are probably sufficient.

Doing my own nails I find that I hate the brush. One or two of the bristles keep sticking out and the brush is really rough making it difficult to sweep the polish on quickly. It goes on ridged unless you use lots of polish which of course can lead to bubbles and to a thickness that prevents it drying evenly, etc. etc. problems. Also, it's very difficult to remove and I find that it has stained my nails, the underside of my nails, and my fingers around the edges of the nail blue. A bit more nail polish remover and soap and water should remove it all but right now I'm a little woozy from the fumes and my nails are looking particularly dry and unhappy.

So...pretty color. Hard to apply. Stains nails. I might suggest using a different brush and maybe resorting to an acetone nail polish remover (I'm currently using non-acetone and it's taking a lot of it).

Tuesday, May 31, 2011

Anger... Thoughts on Writing

I don't like to give in to negative feelings when I can help it. Anger, sadness, frustration... These are things that we're told aren't productive. But what about when they are? I'm not saying I need to be ready to break all my china in order to write a brilliant essay but sometimes the bad, unhealthy feelings are the ones that inspire my best work. The isolation and frustration of my current boredom lets me delve into the depth of what a character might be feeling instead of chugging along with a tedious surface-skimming plot. Some of that leftover tension lets me bang out the review I've been putting off for the past few days despite already finishing the book. Our base feelings are sometimes what we need to tap into to say what we're really feeling, unhindered by the layers of politeness, protocol, familiar tropes, and easy rhythms that guide us through life.

But when I finished all this, I went to check my grades once again (I've been checking for most of the second half of the month) and finally the last one (the one I've been waiting on) was posted. Needless to say I was disappointed or I wouldn't be mentioning it. The anger didn't really come. I'd expelled it already in my writing. But there was still something thrumming beneath the surface. I suppose I'm writing them away now in this blog post.

I'm suppose I'm suggesting that's what writing is for in part. Writing away the negativity. Sure indulging it is probably not healthy but at least in my case, writing builds up the tension until it simply fades away. Am I still upset at my grade? Yes. Do I feel upset? No.

I realize this isn't terribly insightful but as I've mentioned, I've been doing a lot of writing in the last few hours so please forgive this less than brilliant post.

Things I Am Currently Obsessed With

Image of Fan Coral Brooch
Georgia Varidakis "Fan Coral Brooch" $160 (available on georgiavaridakis.com)























Varro Pave Knife Earrings in Rhodium $60 (available on noirjewelry.com)


Ruby Red Garnet Natalie Portman Oscar Inspired tassel earrings $325 (available ElleBernard on etsy.com)

White Seed Pearl Tassel Earrings

White Seed Pearl Tassel Earrings $650 (available Bjewelledcz on etsy.com)

Beetle Earrings
Beetle Earrings $20 (available on ericaweiner.com)
SUPER UNDERWHELMING viewed in person. :(
Beetle Earrings
Beetle Earring $13.50 (ragtrader on etsy.com)

scarab beetle earrings
scarab beetle earrings $13 (accidentalcharm on etsy.com)

Silver Egyptian Scarab Earrings
Silver Egyptian Scarab Earrings $16 (ragtrader on etsy.com)

Vermeil Coral Branch Necklace
Vermeil Coral Branch Necklace $28 (StarfishAndTheSea on etsy.com)

Wednesday, May 25, 2011

Commitment and Productivity

Hello blog,

I feel very unfocused lately. I have bursts of productivity. I will write a little bit of a story and then wander off to read the book I should be reviewing. I will stare at the copies of Jane Eyre, A Room of One's Own, and Mrs. Dalloway I have stacked on my printer and then instead draw a couple of clothing designs. This will inevitably turn me to mourning the fact that half of my old designs are lost somewhere in my apartment or house or were disposed of in the trash without my knowledge and I will find something to take my mind off of that. So where does that leave me? Writing another blog post I guess. But why? Well, because I feel like the world is set up for focused people.

Think about how much of being productive asks for your commitment. To read a book that I'm not obligated to read for a class, it has to really grab me from at least the first 50 to 100 pages. Otherwise, why should I bother? Yet some authors seem to write now with the idea that if I've picked up their book I'm somehow obligated to commit hours of my life to a slow slog through bland descriptions (desperately trying to be insightful and evocative) and inspired storytelling. No, thank you. Yet, if I've read that 50 to 100 pages am I allowed to give my opinion? Well, not without an automatic counterclaim that I haven't finished so my thoughts aren't as valid. Did I read that book? Well, I read some of it...I read enough of it.

So you sit down and do some writing. Is the story finished? Not by a long shot. There's still at least 5 more edits to get through. I might end up scrapping the whole thing. And no one reading really has anything to say until you've finished the damn thing. It's almost worse with essays because at least with stories you can end chapters on a cliffhanger. An essay can't be presented until you've done all the work. You may have laid out the foundations of an argument but until the whole thing is ready, you can't show it to anyone prepared to defend it. (Yes, I've got a blog post in the works that I might never get finished.)

But why is the world so structured around commiting your time to things? We've only got so much time on this earth and sometimes it seems like there are so many impulses pulling you in different directions but all demanding a substantial chunk of your time. With my designs it's easy. I put pen to paper and in a few seconds I've got a new sketch. And yet it's not fulfilling in the same way. And the actual product, the dress, would take another substantial chunk of time to sew. I don't know what I'm trying to say with this, just that I sometimes I wish I knew what to do and I wish something were pushing me to get things done.